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Zoom F4 Multitrack Field Recorder

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Product Highlights

Integrated Mixer

Compatible with Optional Zoom Mics

Resolution: 24-Bit/192 kHz

Four Combo XLR-1/4″ Inputs

High-Quality Preamps with Phantom Power

Built-In Limiters on Every Input/Output

Easy-to-Read LCD Display

Included AC & DC-HIROSE Adapters

Includes Cubase LE and Wavelab LE

VR & Ambisonic Compatible

R12,500.00 R19,000.00 Inc. VAT

Creators are making more waves in film than ever before.  Thanks to affordable technology and distribution channels like YouTube, we’re ushering in a new era of creativity…and it’s only just begun.

The Zoom F4 propels your film’s sound to a whole new level. With 6-input/8-track recording, super-low-noise mic preamps, and time code with pinpoint accuracy, the F4 offers Hollywood sound at an indie budget.

The advanced on-board limiters provide overload protection for all inputs and outputs, which lets you capture audio in a wide range of environments. Limiting can be applied simultaneously at full resolution with 10 dB of headroom and features controls for setting threshold, attack, and release.

The F4 offers four combo XLR-1/4″ inputs, a 1/8″ stereo input, and includes a Zoom mic-capsule input for recording six discrete tracks with an additional stereo mix, all at full 24-bit/192 kHz resolution. With gain linking capability between the various inputs, the F4 is suitable for recording audio in VR formats, specifically Ambisonics. Plug in a mic like the Sennheiser AMBEO, for example, and you’ll find you can control all four capsules at once from the F4, and thus, capture the 360° audio necessary for immersive entertainment.

Additionally, inputs 5/6 can function as a camera return for audio-monitoring only for confidence checks, or can accept two additional mic/line signals via the EXH-6 combo input capsule (available separately). The dual-SD card slot features simultaneous recording to both cards allowing you to make a backup or split recording with all eight tracks on one card and a stereo mix on the other.

Each of the four XLR-1/4″ inputs offers a dedicated preamp with gain control, phantom power, a six-segment LED level meter, plus a Record Ready and PFL switch. In addition to the 1/4″ headphone output with a dedicated volume control, the F4 provides two main balanced XLR outputs, as well as two sub outs on a single unbalanced 1/8″ stereo mini-jack, enabling easy connection to a camera. All timecode I/O is provided on BNC connectors and the unit includes a variable-frequency slate-tone generator to confirm levels.

The front panel offers an output button, which provides quick access to the unit’s outputs, while the option button offers quick access to TC Jam, Trim Link, Clear Clip and other important shortcuts. An easy-to-read 1.9″ LCD display is suitable for use in all lighting environments including dark low-light sets to bright sunlight. The on-board mixer not only provides user-adjustable level, pan, and input/output delay, but also offers high-pass filtering for noise and wind reduction, phase inversion, and Mid-Side decoding. The F4 ships with a camera-mount adapter, a DHC-1 DC-HIROSE adapter, an AC power adapter, and download codes for Cubase LE and Wavelab LE.

  • Six-input/ eight-track multitrack field recorder with integrated mixer
  • Six discrete inputs, including with 4 locking Neutrik XLR/TRS combo connectors, a stereo 3.5mm input, and Zoom mic-capsule input
  • Input 5/6 can be used as a camera return for monitoring only, or can accept two additional mic/line signals via the EXH-6 combo input capsule (available separately)
  • Can record in Ambisonics mode for capturing audio for VR
  • Compact and lightweight metal chassis, weighing just 2 pounds (without batteries)
  • High-quality mic preamps with up to 75 dB gain, less than -127 dBu EIN, and +4 dB line inputs
  • Support for up to 24-bit/192 kHz recording as well as 96, 88.2 , 48, and 44.1 kHz, plus 47.952/48.048 kHz for HD-video compatibility; 16-/24-bit resolution
  • Accurate timecode (0.2 ppm) I/O on standard BNC connectors; drop-frame/non-drop formats with Jam Sync
  • Three different power supply options: 8 x AA batteries, external DC battery pack with 4-pin HIROSE connector, and Zoom AD-19 12V AC Adapter with DC-HIROSE cable (included)
  • Dedicated gain-control knob, 6-segment LED level meter, and PFL/Solo switch for each channel
  • Phantom power (+48/+24V) on every preamp
  • High-pass filter, phase invert, and Mid-Side decoder
  • Advanced onboard limiters for input and output
  • Input delay of up to 30 ms per channel / output delay of up to 10 frames per output
  • Compatible with all Zoom mic capsules; optional ECM extender cable enables remote positioning
  • Dedicated headphone output (100mW) with front panel volume control
  • Dual XLR-balanced Main Outs plus 1/8″ stereo mini-jack Sub Out
  • Front panel OPTION button gives quick access to important shortcuts
  • 1.9” white, backlit monochrome LCD
  • Dual SD/SDHC/SDXC card slots, up to 512GB each
  • Support for extensive metadata (BWF and iXML); input time, date, project, scene number, etc.
  • Built-in tripod mount; camera-mount adapter also included
  • Use as a 6-in/4-out USB audio interface (@ 96 kHz)
SKU: Zoom-F4 Categories: , Product Brand:
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Number of Tracks WAV:
8 (6 Inputs + Stereo Mix)
MP3:
2
Max Sample Rate/Resolution 192 kHz / 24-Bit
Built-In Speaker No
Display Monochrome LCD (Backlit)
Memory Card Support SD (16 MB to 2 GB)
SDHC (4 to 32 GB)
SDXC (64 to 512 GB)
Internal Storage None
Recording
Audio File Formats BWF, ID3v1, MP3, WAV, iXML
Sample Rates WAV:
44.1 / 47.952 / 48 / 48.048 / 88.2 / 96 / 192 kHz
MP3:
44.1 / 48 kHz
Bit Depth 16/24-Bit
Bit Rates 128 to 320 kb/s
Signal Processing Limiter, Low-Cut Filter
Timecode Yes
Frame Rates Supported 23.976 / 24 / 25 / 29.97 / 29.97 DF / 30 / 30 DF
Clock Accuracy ±0.2 ppm
Recording Time WAV 48 kHz/24-Bit:
57.8 Mins per GB (Stereo)
WAV 192 kHz/24-Bit:
14.4 Mins per GB (Stereo)
Connectivity
Analog I/O 1 x Proprietary Mic Capsule Input
4 x Combo XLR-1/4″ Female Line/Mic Input (Lockable)
1 x 1/8″ / 3.5 mm TRS Female Unbalanced Line Input
2 x XLR 3-Pin Male Balanced Line Output
1 x 1/8″ / 3.5 mm TRS Female Unbalanced Aux Output
1 x 1/4″ TRS Female Unbalanced Headphone Output
Digital I/O 1 x BNC Timecode Input
1 x BNC Timecode Output
Phantom Power +24 / 48 V (Selectable on Individual Inputs)
Phantom Power Current ≤10 mA per Channel
Host Connection 1 x Mini-USB (USB 2.0)
Performance
Frequency Response 10 Hz to 80 kHz +0.5/-1 dB (At 192 kHz)
Gain Range Mic Inputs:
+10 to +75 dB
Line Inputs:
-10 to +55 dB
1/8″ Inputs:
-10 dBV / +4 dBu
Max Input Level Mic Inputs:
+14 dBu (Limiter On, at 0 dBFS)
Line Inputs:
+24 dBu (Limiter On, at 0 dBFS)
1/8″ Inputs:
+24 dBu
Max Output Level Line Outputs:
+10 dBV
Headphone Output Power 100 mW per Channel into 32 Ohms
Dynamic Range A/D Converters:
120 dBA
D/A Converters:
106 dBA
Impedance BNC Inputs:
≥4.3 kOhms
BNC Outputs:
≤50 Ohms
Mic Inputs:
≥3 kOhms
Line Inputs:
≥22 kOhms
Aux Inputs:
≥10 kOhms
Line Outputs:
≤150 Ohms
Aux Outputs:
≤1 kOhms
Headphone Outputs:
≤15 Ohms
EIN ≤-127 dBu (A-Weighted)
Power
Power Options Batteries or AC/DC Power Adapter
Battery Type 8 x AA (Not Included)
Approximate Battery Life 48 kHz/16-Bit:
9.5 Hours (Alkaline, 2 Channels, without Headphones)
11.5 Hours (NiMH, 2 Channels, without Headphones)
17.5 Hours (Lithium, 2 Channels, without Headphones)
48 kHz/24-Bit:
9 Hours (Alkaline, All Channels, with Headphones)
10.5 Hours (NiMH, All Channels, with Headphones)
16.5 Hours (Lithium, All Channels, with Headphones)
192 kHz/24-Bit:
2 Hours (Alkaline, All Channels, Backlit Display, Phantom On)
3.5 Hours (NiMH, All Channels, Backlit Display, Phantom On)
6 Hours (Lithium, All Channels, Backlit Display, Phantom On)
AC/DC Power Adapter 12 VDC at 2 A (Included)
Physical
Mounting Options 1/4″-20 Female
Dimensions 7.0 x 5.5 x 2.1″ / 177.8 x 139.7 x 53.3 mm
Weight 2.3 lb / 1.0 kg

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