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Atomos Shogun Studio 4K Monitor / Recorder

Atomos

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Dual 7″ Monitors in a Rack Mount Chassis
4K/1080p60 Recording to Multiple Codecs
Records 4K (3840×2160) up to 30 fps
Records 1080p up to 120 fps
ProRes, DNxHD, DNxHR and Encoding
SSD, HDD, CFAST in Drive Caddy
Supports 4:2:2 at 8/10/12-bit Recording
UHD 4K-Capable HDMI Input
12G-SDI Input and Loop-Output
Stores to Single or RAID HDDs or SDDs

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R44,895.00 Inc. VAT

The Atomos Shogun Studio 4K Monitor / Recorder combines two color-calibrated 1920 x 1200 resolution displays with 4K video recording and edit-ready codecs in a 3RU chassis with removable rack mount ears. This configuration is well suited for live event, studio, and on-set DIT work. The Shogun Studio utilizes 4K HDMI and 12G-SDI inputs to record clean output signals at resolutions up to UHD 4K (3840 x 2160) at 23.98, 24, 25, 29.97, and 30p, as well as Full HD (1920 x 1080) video up to 120 fps when used with capable cameras. The Shogun records 10-bit, 4:2:2 UHD 4K and HD video to Apple ProRes HQ, 422, or LT formats. It can also record HD video using Avid’s DNxHD format and UHD 4K video using Avid’s DNxHR. Video is recorded to single or raided 2.5″ HDD and SDDs for fast and reliable write speeds.

As a monitor, the Shogun features a 7″ IPS capacitive touchscreen display with resolution of 1920 x 1200. It is Rec. 709 color calibrated and supports multi-frequency operation (48/50/60 Hz) for monitoring of a variety of input frame rates. An SDI loop output is available for passing the signal to an additional monitor. As an added convenience, 4K signals can be internally down-converted and output in 1080p at the same frame rate.

The Shogun Studio supports Tally function, custom 3D LUTs, Genlock In for multi-camera syncing. There are also a variety of onscreen tools to help you set up your shots, including a full waveform monitor, RGB parade display, vectorscope, focus peaking, and framing, focus, and exposure assisting tools. With two slots, one for each monitor, for a master recording caddy, you can simultaneously record the signal being fed to each monitor.

Dual Monitors in a Rackmount Chassis
The Shogun Studio installs two Shogun monitors in a 3 RU rackmount chassis, with removable rackmount ears. This configuration is suitable for live event, studio, on-set and Broadcast professionals.
Record UHD 4K & Raw Video
Bypass your camera’s internal compression and record UHD 4K (3840 x 2160) video to Apple ProRes over HDMI or 12G-SDI at 23.98, 24, 25, 29.97, or 30 fps. The 4K-capable HDMI input makes the Shogun particularly useful for recording 4K output signals from cameras such as the Sony a7S and Panasonic GH4.
1080p up to 120 fps
Record up to 120 fps in Full HD (1920 x 1080) for high-resolution slow-motion shots.
10-Bit 4:2:2 Recording
Record in 4:2:2 Apple ProRes or Avid DNxHD or DNxHR formats from your camera’s uncompressed SDI or HDMI output, bypassing a round of internal compression and data loss. Uncompressed Cinema DNG Raw 4K video is also supported from capable cameras.
7″ IPS Touchscreen Monitor with Rec. 709 Color Calibration
Each of the monitors incorporate a 7″ IPS screen features a 1920 x 1200 resolution and provides a wide viewing-angle of 178° for easier off-axis monitoring. Each screen is calibrated to SMPTE Rec. 709 with 100% gamut and D65 white point, letting you monitor your colors with confidence. A standard Canon C-Log calibration is also available for use with Canon EOS Cinema cameras, so you won’t have to look at flat, washed-out looking images on set. ON-the-fly re-calibration is available with the Atomos Spyder calibration tool, sold separately.
3D LUT Support
You can preview looks on set thanks to the ability to load 3D LUTs onto the Shogun. Simply load Cube files on an SSD and access via the “Display Options” button on the home screen.
HDD or SSD Storage
Record to single or raided 2.5″ HDDs or SSDs for faster more reliable write speeds to manage 4K recording. A 2TB raided drive will give your over 5 hours of continuous 4K recording in 4K ProRes 422 HQ.
Monitoring Tools
The Shogun offers a comprehensive set of tools to help you set up, focus, and properly exposure your shots. These tools include a full waveform monitor, RGB parade display, luma overlay, vectorscope with zoom, and a test pattern generator for signal calibration. The monitor also provides focus peaking with multiple levels and colors, false color in two modes, and fully adjustable zebra from 0 to 100%.
Supports Video Playback
You can review what you’ve shot thanks to in-device video playback. The touchscreen interface allows you to navigate clips and provides softkeys to play, pause, rewind, and stop footage. Additionally, the playback will display a preview frame of the selected clip in the file browser.
4K to HD Down-Conversion
4K signals can be internally down-converted and output at 1080p resolution in the same frame rate as the input. This enables secondary monitoring on an HD field monitor, or recording a lower resolution proxy copy to a second recording device
Start/Stop Trigger
Trigger record start/stop and record time code straight from the camera with Atomos’ HDMI time code trigger protocols from Sony, Canon, and other cameras. Over SDI you have full support of all protocols. You also have control over file naming, for automatic backup and version control of your footage.

Note: The SDI trigger is manufacturer-specific – you will need to select your camera make from the menu to enable

Optional CFast Adapter
Record to small, lightweight, and highly reliable CFast media cards using the optional SATA to CFast adaptor.
Create FCPX XML Projects
Create Final Cut Pro X XML projects in the field so you are ready to edit straight away. Favorite/reject flags in the metadata let you quickly finding and uploading the best shots into FCPX or Adobe Premiere Pro.
Genlock Support
Lock to an external Genlock reference signal to synchronize the Shogun’s SDI playout when using multi-camera setups.
Time Code
The Shogun lets you synchronize with your camera’s time code. Record Run, Free Run, and Time-of-Day time codes are also available for independent external recording.
SKU: ATO-MSHSTU01 Categories: , Product Brand:
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Weight
Weight 5.0kg / 11lb
Rack height 3Ru
Rack mounting Removable rack ears
Dimensions (W x H x D mm) 447 x 152 x 251mm, 17.6 x 6.0 x 9.9” (without rack ears)
490 x 152 x 251mm, 19.3 x 6.0 x 9.9” (with rack ears)
Construction Steel construction for durability
Cooling Actively controlled fan with heat sinks
Power
Operating power (including SSD) 20 – 60W
Redundant PSU Yes
Compatible batteries No
Input voltage (battery)
DC Out No
Continuous power
* Patent pending
Touchscreen
Size 7.1”
Resolution 1920 x 1200
PPI 320
Aspect ratio 16:9 native
Color standard Rec.709 HDTV
Look up table (LUT) support 3D LUT (.cube file format)
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit
Video analysis tools Luma waveform, RGB parade, Vectorscope, Vectorscope zoom
Calibration Calibration in factory to Rec.709, in eld
calibration with optional X-Rite unit
HDR
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 8-bit
Brightness 400nit
PQ in/out
In = Post   Out = Monitor
Yes / Yes
Video Input/Loop Out
HDMI 1 x HDMI (1.4b) per channel
SDI 1 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G per channel
Signal Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Video Output (Play Out)
HDMI 1 x HDMI (1.4b) per channel
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported Codecs & Frame Rates (Record & Playback)
Raw to ProRes / DNxHR Raw cameras supported (Sony FS5/FS7/FS700, Canon C300MKII, C500)

Codecs
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates
4K DCI / 4K UHD; 24/25/30B
2K / 1080p; 24/SF24/25/SF25/30/SF30

Video to ProRes / DNxHR Codecs
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LBFrame rates
4K DCI / 4K UHD; 24/25/30
2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120
1080i; 50/60i
720p; 50/60p
Onboard Processing
HDMI 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
SDI Yes – Always on
Analogue audio On HDMI/SDI loop out (Rec & Playout)
Audio In/Out (48kHz PCM Audio)
HDMI 2 or 8ch 24-bit, camera dependent
SDI 12ch 48kHz 24-bit
Analogue audio 2 x XLR in & 2 x XLR out on rear per record channel.
Mic or line level with phantom 48V
Processing Gain control on line in & headphone output
Maximum audio quality 24-bit, 48kHz
Audio delay Delay setting +1 to 99 frames
Remote Control
HDMI Auto HDMI Trigger
Supported Protocols – Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
RS422 RS422 machine control
AMP via Ethernet RJ45 10/100
Serial Calibration (front)
Timecode
HDMI Embedded timecode from camera or video device
SDI Embedded timecode from camera or video device
LTC In Yes (LTC loop back)
GenLock In Yes (GenLock loop back)
Playback
Playlist Yes (run down or reverse order) for selected, favorite or all clips
Playback options Loop in & out markets
Recording
Dual channel Record 4K master with HD proxies. Record both ProRes & DNxHR versions, indepen- dent dual channel record.
Continuous record Single channel 4K / HD recording automatically switches between drive when at capacity
Pre-roll record Yes (HD 8s, 4K 2s)
Custom timelapse Yes (Key frameable up to 10 video and single frame Intervals, can be triggered from internal clock).
Meta data tagging Yes (10 tags available)
Recording Media
Drive slots 2 (1 per record channel)
Drive connection types SATA
Supported media
(Approved List at atomos.com/drives)
4K / HD (50/60/120p*)
SSD 2.5”, HDD (7,200 up to 1080p60)HD
SSD 2.5”, HDD (5,400 up to 1080p30)
Master caddy case Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7+
Media Composer 5.0+
Premiere 5.5+
EDIUS 6.0+
Vegas Pro 10+
Lightworks
Autodesk Smoke 2015
XML support FCPX XML native, FCP7 supported with conversion
(Adobe compatible)
Accessories included Shogun Studio unit, 2x Rack ears with screws,
5x Master II Caddies, 4x Rubber feet, 2x Large rubber feet,
2x IEC power cable, 1x Screen cleaning cloth
Optional extras Master Caddy II x 5, X-Rite calibration
Warranty 1 year. Extended to 3 years on product registration

All specifications correct when published, subject to E&OE.

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